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Stephanie Austin's avatar

Curious on your take about getting an agent not necessarily for the Big 5 but to level up in presses/career. There's a lot of "bigger" small indie presses that you still can't get to without an agent. I've struggled with how to target these agents. I used to think I had to target the junior/new agents because they might be more likely to look at me versus someone well established in their list, but the person more established in their list is more likely to take risks on new writers because they have more financial room? Writing the query letter is awful all the time, but narrowing in on the right agent feels like a science I don't understand. I do scan Publisher's Marketplace and look at the agents who are making these deals with places like FSG but then those people are always closed and/or unreachable without a referral. Sorry this is long! Thank you!

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David Long's avatar

The agony of contests. If you were a young short story writer back in the day, there was the Iowa Short Fiction prize--they'd publish the winner's collection. One year they told me I was among the top five, so I submitted again--and of course you start fresh each year, new judge--and I came in second. Yay me. For all practical purposes it was the same as coming in last.

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